Edition: Penguin, 1982
Review number: 893
The best known collection of Monro's short stories is also a bit uneven. Most are fine, but one or two feel as though he were just going through the motions. The savagery of Sredni Vashtar is missing, but the best stories here (The Story-Teller and The Lumber Room) are also about child psychology and adult incomprehension of childhood. It is probably the attention-grabbing, Nietszchian title which has ensured the survival of this collection, though it would at least serve as a good introduction to Saki's writing.