Anne Perry: A Sudden Fearful Death (1993)

Edition: Headline, 1994
Review number: 406

The first of Perry's William Monk detective stories to be published in the U.K., A Sudden Fearful Death does not read like the first of a series. The reader is given the impression that they should already know some of the characters, and be familiar with other events and cases. I do not know if there is a precursor to the novel, but if there is not, it is an interesting way to make the reader feel part of something ongoing.

Unfortunately, A Sudden Fearful Death is rather a weak novel, as Perry gets carried away by her mission to expose the unpleasantness of Victorian England. There is no denying that for many people, particularly women, it was a place with much suffering. But the hypocrisy of the period is what marks it out, and it is what obsesses Perry in her other series, featuring Inspector Pitt. Here, it is exposed more publicly, in a trial scene which would surely have become one of the most celebrated cases in the nineteenth century, with at least one extremely unlikely aspect to it dictated by a desire to provide a dramatic ending. (There were surely mechanisms, even then, to present new evidence which comes to light after the conclusion of the prosecution case.)

The other weakness of the novel is that several characters behave inconsistently, particularly the man accused of the murder and his family. Things become known which a much greater effort would have been made to hush up, where Pitt should have a much harder time breaking through the veils of secrecy to find the clues he needs to work out the solution. Most disappointing.

Anne Perry: Callander Square (1980)

Edition: Fawcett, 1986
Review number: 186

Like The Hangman of Cater Street, the first of Anne Perry's Inspector Pitt novels, Callander Square is a tale of the worst of Victorian society's vice and hypocrisy. Other than Charlotte, Pitt's wife, there is scarcely a member of the upper classes without a disreputable secret; Perry's is surely an exaggerated version of Victorian London. (By their very nature, it is impossible to accurately know how many people have disreputable secrets.) Some fairly typical Victorian vices, such as child prostitution, are either still considered too unpleasant to talk about by Perry, or they just haven't yet proved relevant to one of her plots.

The plot concerns the police investigation into the bodies of two babies, discovered in the wealthy neighbourhood of Callander Square when some work is being done in the gardens. They are thought to be the results of a servant girl's indiscretions, so everyone in the square expects the investigation purely to be a formality. Inspector Pitt is in charge of the case, and when Charlotte discovers what he is investigating, her sympathy both for the babies and their mother leads her to take a hand. She encourages her fashionable sister Emily to start visiting in the Square to find out from gossip what's going on, and even manages to get herself a job as secretary to General Ballantyne, who lives in the Square and is writing a history of his family's involvement in the army since the days of Marlborough. Before long, the disreputable secrets of those who dwell in the Square begin to come out, and it becomes clear that there's more to the mystery than first appeared.

It's clear that Anne Perry has found a successful formula in The Cater Street Hangman, and that she has stuck to it in Callander Square. The portrayal of upper-class Victorian society as totally hypocritical may be exaggerated, but it provides many opportunities for a detective writer, through the existence of lots of disreputable secrets which the reader has to work out whether they are connected to the matter under investigation or not.