Showing posts with label Roma sub Rosa. Show all posts
Showing posts with label Roma sub Rosa. Show all posts

Tuesday, 21 November 2000

Stephen Saylor: The Venus Throw (1995)

Edition: Robinson, 1999
Review number: 689

The Venus Throw is probably the best of Saylor's series of novels featuring Roman private detective Gordianus the Finder. Once again, its subject is one of the famous cases for which Cicero was an advocate at the trial. Rome in the first century BC was a fascinating place, full of interesting people and tumultuous events leading to the formation of the Empire. It is a good illustration of the Chinese curse about interesting times; it was a supremely dangerous place to be, as unscrupulous men and women played political games for really high stakes.

The particular trial in The Venus Throw involves some of the most colourful characters of the time, Clodia and her brother Clodius, immortalised as Lesbia and Lesbius in the poems of Catullus. Coming from a distinguished patrician family, the Claudii, they had changed the spelling of their name so that Clodius could sound more plebian, mark working class, and attract the popular vote in elections. The pair were famous for their licentiousness as well as for their beauty, and were rumoured to be incestuous lovers. The devotion and disgust Clodia in particular could inspire is one of the major inspirations in the greatest of Catullus' poems.

Gordianus is involved because part of the trial is connected with the murder of the Egyptian philosopher Dio. occurred on a night when Gordianus was leaving Rome to visit his son Meto, on the staff of Julius Caesar in Illyria; Gordianus feels personally involved not just because Dio was an old friend whom he had met in Alexandria in his youth, but because the philosopher had come to visit him that evening in fear for his life.

Investigating what happened to Dio at Clodia's instigation leads Gordianus in all kinds of directions, including wondering what Clodia's interest is. Dio was in Rome as part of a delegation from Egypt trying to influence Rome's interference in that country's affairs, but the members of this party have gradually been killed off, presumably at the instigation of exiled Egyptian king Ptolemy, now living in Rome. But the difficulties are to prove this, and to work out which of the various Roman political factions are involved.

The background, always one of Saylor's strengths, is particularly well drawn in The Venus Throw; the characterisation of Catullus is one reason for this. The sense that the reader has of being involved in events is one of the strongest of any historical novel I have ever read.The characters, the new ones in this novel (especially Clodia and the brilliant, disillusioned Catullus) as well as the established series ones, are vivid and believeable. The puzzle is difficult, well presented and sensibly thought out. This is historical detective fiction at its best.

Friday, 1 September 2000

Steven Saylor: Arms of Nemesis (1992)

Edition: Robinson, 1997
Review number: 594

The second novel to feature Gordianus the Finder takes place during the slave revolt led by Spartacus. The man with a reputation for being the richest in the world, Marcus Crassus, hires Gordianus to find the murderer of his cousin. This appears to be easy, since the body was found with the word "Sparta" scrawled on the floor next to it, as though the murderer had been disturbed while writing the name of Spartacus, and two slaves have gone missing. Pre-supposing their guilt, Crassus has ordered that all the household slaves are to be executed at the end of the funeral, the old fashioned punishment decreed when a slave kills his master. (By appearing to be a stern supporter of the old ways, Crassus hopes that the Senate will grant him a commission to lead an army to destroy Spartacus, thus making his name as a great general.)

The puzzle is difficult, the background impeccable, the characters three-dimensional; Arms of Nemesis is an excellent historical detective story.

Tuesday, 14 March 2000

Steven Saylor: Rubicon (1999)

Edition: Robinson, 1999
Review number: 451

In only seven novels together with a few short stories, Saylor has covered thirty years of the career of his detective, Gordianus the Finder, taking him into his sixties. This is quite rapid progress for a series of detective novels, which often have central characters who hardly age at all over thirty years' worth of writing. In Saylor's series, the character has been closely if sordidly involved in a datable sequence of historical events, which has forced him to age at a sensible rate. He is now reaching quite a formidable age for a Roman, and it will be interesting to see what Saylor does next.

Rubicon is concerned with the beginning of the civil war between Julius Caesar and Pompey, which would eventually lead to the end of the Republic and the establishment of the Empire. As Caesar crosses the Rubicon river into Italy with his troops - something a provincial general was forbidden to do - Rome succumbed to fear over his intentions, government and economy breaking down as thousands fled the city. Pompey also leaves, to organize his own troops, but pays a visit to Gordianus before doing so. He arrives at a rather awkward time, to discover the garrotted body of his nephew and heir Numerius Pompey in the garden. This naturally puts Gordianus in a difficult position, and he is forced to try to find the murderer.

This puzzle is quite difficult, but in fact much of the book is concerned with Gordianus' atttempts to rescue members of his family from the consequences of the civil war. Like all the Gordianus novels (I don't really like the Roma Sub Rosa title of the series), Roman politics is really what interests Saylor in Rubicon, and the puzzle takes a secondary place.

Tuesday, 2 November 1999

Steven Saylor: Catilina's Riddle (1993)

Edition: Robinson, 1998
Review number: 378

The third novel in Saylor's series about Gordianus the Finder - a series also including several short stories - tells of one of the most famous events of the last years of the Roman Republic, the Catiline Conspiracy. Now well into middle age, Gordianus has retired to a farm north of Rome, inherited from a friend in the teeth of opposition from the friend's family, who own all the farms surrounding Gordianus' new one.

Gordianus rejoices in leaving behind the corrupt politics of the city, but starts to find that there is something missing from his new life. Then he receives a visitor, who is an agent of Cicero, now consul of Rome, and also of Catilina, his populist opponent. Catilina is looking for somewhere to stay outside Rome, and Gordianus' farm would be an ideal location. Catilina has come up with a political riddle, about whether the current head of the Roman state is to be preferred to the headless body (the common people); Gordianus is to use this as the basis of a message to send to Rome to signify his acceptance or rejection of the proposition. But then a headless body is discovered in the stables. Gordianus takes this to be a threat from Catilina because of the riddle, and so, frightened for his family, he sends the message that he prefers the headless body, thus accepting the proposal.

The investigation in this crime novel is into the provenance of the headless corpse. This is in fact a fairly obvious mystery; Catilina's Riddle has one of the easiest to unravel plots that I have read. It is the political aspect of the story which is more interesting, and this is very well done indeed. It is common to regard the Roman Republic as virtuous by comparison with the Empire; Saylor reminds us that the last years of the Republic were hardly commendable. As well as the rather seedy machinations of the politicians, the way they flattered and manipulated, there are also more petty, private, sordid matters that Saylor highlights. The treatment of slaves, for example, often served as an outlet for both cruel and depraved appetites.

From a historical point of view, it is hard to know the true events of the Catiline conspiracy. The only accounts we have come from his political enemies and could hardly be said to be models of reporting, consisting to a large degree of rhetorical denunciations. Saylor has created a plausible story, with none of the historical characters painted as pure black or white.

Monday, 18 October 1999

Steven Saylor: Roman Blood (1990)

Edition: Robinson
Review number: 362

The third I have read (but the first in sequence) of Saylor's Roman detective stories about Gordianus the Finder gets him involved in one of the most famous trials in history. It's famous because it made the name of Cicero, whose speech from the trial still survives.

The murder victim, Sextus Roscius the elder, is a wealthy farmer who has retired to Rome to enjoy himself while his son (with the same name) runs the farm, its profits funding the old man's taste for the high life. The two men have never liked each other very much, and when the father is murdered in a back street - on his way to a brothel - during a visit by the son to Rome, the latter is suspected to be a parricide. This particular crime carried an extremely unpleasant penalty under Roman law (a most painful execution), and so the trial immediately assumed immense public interest, and so was likely to enhance Cicero's career if a successful defence was made.

Saylor has looked carefully at Cicero's speech - the prosecution speech does not survive, and has to be inferred from the rebuttal of points from it made by Cicero - and by reading between the lines has constructed an interesting mystery novel. (Cicero's speech aims to prove the innocence of his client, rather than to identify the guilty party.) This makes Roman Blood take a place in the top rank of historical crime novels.